did you know Herman Melville wrote poetry? late in life. like 45 years old! like after the money & fame wore off, when he couldn’t get commercial success & critics thought he was a failure, & his buddy Hawthorne died. & they’re good - the poems. i mean, they rhyme, which kind of sucks, but that’s how poetry was conceived back then. these are dark-hearted poems, bitter & biting, seething with ironies of war and human nature at times, while at others, preciously naive & green. he writes a lot of civil war battle narrative poems, which remind me of Rudyard Kipling, tho firmly American. Melville write’s a lot of odes & portraits of heroes both specific (Stonewall Jackson) and general (the gunman on the turret, the canon), but in either case his connection to Nature is strong, if not dominant. the writing from Moby Dick that I liked best is all here in language that is, overall, damning for humanity. & was there an American writer who believed he was more damned than Melville? after publishing Typee at the age of 25, & achieving proto-Hemingway style literary success as “The Man Who Walked Among Cannibals”, he began earnestly following his creative desires into the darkness of his sprawling narratives. He grew weary of the fame as I suppose DF Wallace did too, unable to trust “Why” people liked his work: was he just some alien creature/thinker/communicator, delighting the public with his keen observations & a peculiar genius taken for exoticism, or did they really see the world as he did: complex and unjust? he infamously said, “All Fame is patronage!” & it was as if with that sentence he was condemning himself down along his own dark course into the obscure wild. yet he persisted, despite a dwindling audience & publishers’ misgivings, then outright refusal to publish him. he was living off his father-in-law’s funds. he wrote to Hawthorne: “Dollars damn me; and the malicious Devil is forever grinning in on me, holding the door ajar…What I feel most moved to write, that is banned, it will not pay. Yet, altogether, write the other way I cannot. So the product is final hash, and all my books are botched.
Misgivings (1860)
When ocean-clouds over inland hills
sweep storming in late autumn brown,
And horror the sodden valley fills,
And the spire falls crashing in the town,
I muse upon my country’s ills -
The tempest bursting from the waste of Time
On the world’s fairest hope linked with man’s foulest
crime.
Nature’s dark side is heeded now -
(Ah! optimist-cheer disheartened flown) -
A child may read the moody brow
of yon black mountain lone.
With shouts the torrents down the gorges go,
And storms are formed behind the storm we feel:
The hemlock shakes in the rafter, the oak in the
driving keel.
I mean, who’s writing like this today? Not only the sprawling narratives, but the obsessiveness, and the authority? maybe William Volmann. i think a part of Adam Gnade pushes like this, in his own style, the world may soon find out. but who in poetry? anyone?
is anyone truly going for it?






